
My work explores the space between stillness and motion. I build dimensional wall pieces from layered acrylic and carve freestanding sculptures by hand, forms that can be cast in bronze or stainless steel. Across both, I'm interested in what happens when a shape appears caught mid-movement, when something rigid impossibly twists or flows, and in how dimensionality invites a longer look from every angle.
I grew up on the Atlantic Coast, surfing and living close to the water. In some ways, I think the ocean is still moving through everything I make. But my influences run wider than the coast. Physics, nature, science, travel, history, storytelling and gestalt all find their way into the work.
I trained early on as a designer/artist and spent my formative years in Los Angeles working alongside Imagineers, architects, artists and storytellers. From there I traveled across North America, Europe and Japan before landing in Austin, Texas, where I built a studio and spent several years incubating work full time. That period opened me to a broad way of thinking about materials and processes and gave me the space to develop a body of work.
My studio produces work at any scale, from a single piece for a private collection to a series for a commercial or public space. A background in design means I collaborate easily with architectural firms, interior designers and collectors.
If something here stops you, please say hello.
David Kujda

I designed the studio and built it end-to-end with my two sons. I love to build things so this was a fun project to design and build. One of my favorite parts of this project was building the king trusses in the grass. I hired someone to do the foundation and install underground beams to be able to handle the weight for heavy stone and machines.

This was moments after the 12' x 12' black framed glass door was installed. You can see the wire for where the barn lantern light will hang above the door. The space is 61' x 25' with 12' overhead clearance. This was step 1 of my studio space with more coming.

I wanted a space that could handle the scale of what I had in mind, with room for industrial equipment, large canvases, and freestanding sculpture. This photo brings me back, because I remember being up real high, hammering in the truss rods on that frame and knowing down to every cell in my body, that this is exactly what I was supposed to be doing.
to see total visitors. We can't see individual data; we only see the big picture.